In a corner of the fourth floor of Moynihan Station, Catherine Mahoney of Art + Accomplice curated two rooms, transforming the spaces into immersive environments that almost made one forget that they were at an art fair.

Forced audience laughter at things that aren’t that funny, a bouncy theme song, a three-camera set-up: no, it’s not the latest Chuck Lorre sitcom mucking up the airwaves, it’s The Grossmalerman! Show, Guy Richard Smit’s witty series.

Viktor Harrington didn’t necessarily believe in ghosts — at least, not in the conventional sense — because what did he believe in, in the conventional sense? Ectoplasm, unholy moaning & rattling chains wasn’t a picture of the beyond that he could get on board with. Yet, despite his dismissal, as he roamed Venice’s cubbyholes and canals, he began to firm up his feelings that the city was — and presumably still is — haunted.

The Armory Show/ Focus: African Perspectives demonstrated that South Africa, and especially Cape Town, is the site of a dynamic international art scene. The multi-racial/-ethic/-generational converged onto a section of Pier 94. The work — political, reflective and introspective — took the form of maps, masks, archives and appropriations.

Fox Squire established himself after doing the Dapper Spring photoshoot with Marico Fayre Photography and received overwhelmingly supportive reviews. His official debut was at Crimson Kitty’s SWITCH located at Bizarre Bar.

Navigating New York City’s renowned Armory Show can be a most daunting task.