Cabin Fever with Bob Clyatt
During the pandemic, many artists have been cut off from their studios due to shelter-in-place orders and social distancing guidelines. Some (including the author) have put together makeshift home setups wherever Zoom’s watchful eye cannot see. It can be difficult to concentrate on making art while surrounded by home’s many distractions, such as Netflix, social media, baking sourdough bread, mortal terror, and the possible collapse of civilization. For sculptor Bob Clyatt, though, the quarantine has offered a chance to work in his studio without interruption from the outside world — or whatever’s left of it. The clay heads in Clyatt’s Art in the Pandemic series are, like everyone else these days, wearing surgical masks to varying degrees of effectiveness. Whether they’re properly practicing social distancing depends on how they’re installed, though. Hopefully they can maintain a safe distance of six feet from each other in the exhibition space.
Bob Clyatt’s work can also be found on Facebook, and on Intagram and Twitter @bobclyatt.
During this unprecedented time of COVID-19, many objects came to the forefront as necessities to help fight the virus. In the The Elusive photographic series, I am commemorating this time in history via these objects: hand sanitizer, disinfectant wipes, Lysol, toilet paper and more.
I am a writer who is happiest working at my desk, alone, in my house in western Massachusetts, but has to take regular trips to New York City and further afield in order to know what to write about. Before March it felt like I was traveling all the time, always on planes, always in hotels. I was burned out. For me, beyond the inevitable anxiety that came from worrying for my health and the health of those I love (and those who I don’t even know), quarantine has been a kind of blessing—a forced time out.
Videogames can be a great way to pass time while quarantined at home. For artist, writer, and activist John Sims, the quarantine has provided the time and space to not just play games, but to create one that speaks to the collective anxiety we’ve all experienced while hiding from this invisible enemy.
Some people have used the quarantine’s isolation as an opportunity to slow down and unwind. Ruben Natal-San Miguel isn’t one of those people: the Harlem-based photographer’s artistic output remains as prolific as ever despite everything that’s going on in the world.
Social distancing guidelines have changed how we navigate in public. Our personal boundaries have exploded outward from our bodies, and walking past someone on the sidewalk has changed from a forgettable encounter to a breach of personal space. “Too close”, a limit previously measured in inches or feet for most of us, is now measured with a yardstick, preferably two of them if someone isn’t masked up.
For many of us who share our homes with animals, the quarantine has provided a chance to spend more time with our companions. For artist Julia Oldham, her connection with rescue Pomeranian Woodrow goes back much further than the shelter-in-place order.
It can be difficult to concentrate on making art while surrounded by home’s many distractions, such as Netflix, social media, baking sourdough bread, mortal terror, and the possible collapse of civilization. For sculptor Bob Clyatt, though, the quarantine has offered a chance to work in his studio without interruption from the outside world — or whatever’s left of it.
Gallerist Tarrah Von Lintel and her partner, makeup artist and stylist Eliza Blow, teach us how to isolate in style with several glamour shots from their hidey-hole in Los Angeles.
Roman Kalinovski is the senior editor of Arcade Project and associate director of Arcade Project Curatorial as well as an artist and critic living and working in Brooklyn. Originally from Syracuse, NY, he received his BFA from Syracuse University and an MFA from Pratt Institute. His artwork and other writing can be found on his website.
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Twitter: @kalinova828